With introductions and commentaries by Thomas Macho, Hito Steyerl, Klaus Theweleit
Parallel to the exhibition Pier Paolo Pasolini. Porcili, Neuer Berliner Kunstverein (n.b.k.) presents a series of films by Pier Paolo Pasolini at Babylon cinema. This extensive retrospective highlights a selection of his most celebrated films, offering insights into the central themes and the political and aesthetic principles underpinning his work. Pasolini believed that cinema was the ideal medium for depicting reality – a reality he saw deeply connected to the “sacredness” and innocence of the human body. Many of his characters exist on the margins of society and history – including vagabonds, thieves, and disenfranchised youth – through whom he sought to represent aspects of authentic life. Pasolini frequently critiqued the bourgeoisie for its embrace of consumerist values, often portraying it as disconnected from genuine human experience. The films in this series feature stark, precarious landscapes and disarming actors whose roles reflect lives marked by poverty. In […]
Screening, performance, and talk with Ming Wong
Artists frequently incorporate elements from classic movies, cinematic techniques, and pop culture into their work. These references are often explored, questioned, or subverted through reenactment. Video artist Ming Wong exemplifies this approach, focusing on the reenactment of cult films in his work. His video installation Devo Partire. Domani / I must go. Tomorrow (2010, 19:55 min) is a queer adaptation of Pier Paolo Pasolini’s film Teorema (Theorem, 1968), amplifying its social critique through irony. This event uses Wong’s work to explore the potential of artistic reenactment and provide a contemporary context for Pasolini’s social commentary. This engaging event begins with a screening and a performance. Attendees are encouraged to watch Teorema at Babylon Kino on October 27 before participating.
Performance by Theresa Patzschke, on the occasion of the exhibition Pamela Rosenkranz. Spill Retina