1993, 00:03:41, PAL, color, sound, K011 05

In TROMBA OPTICUS, on the one hand Köpnick takes the title quite literally: the fact that a “trumpet ” is necessary for acoustic sensory experience. But on the other hand he plays with the fact that this is a metaphor, which he again takes metaphorically: the image of an “optical trumpet” becomes an input for acoustic data. His video is a distorted game playing with the basic components of the audio-visual.