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Kaja Silverman / Harun Farocki. Von Godard sprechen. Schriften. Band 2
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
Speaking about Godard presents conversations between Harun Farocki and Kaja Silverman about eight selected films by Godard – Vivre sa vie (1962); Le Mépris (1963); Alphaville, une étrange aventure de Lemmy Caution (1965); Week-end (1967); Le Gai savoir (1968); Numéro deux (1975); Passion (1981) and Nouvelle vague (1990). Farocki and Silverman held their debates in the mid-1990s in English, between Berlin and Berkeley, and published their book in 1998 both in the original and in German, translated by Roger M. Buergel. Eight chapters, corresponding to the number of films discussed, provide an insight into Farocki’s and Silverman’s view of Godard’s work, individual scenes are retold meticulously and analyzed structurally, visual and linguistic research converge. The German re-publication includes the preface of the 1998 German edition by Hanns Zischler as well as a postscript by the publisher Doreen Mende.
Harun Farocki (1944–2014) is one of the most important and internationally influential German filmmakers. His oeuvre comprises more than 100 films and productions: experimental and documentary films; essay, short and feature films. However, his complete works go far beyond this, he has also succeeded internationally as a video and installation artist as well as being a lecturer and media theorist.
Kaja Silverman (b. 1947) is a professor of contemporary art at the University of Pennsylvania in Philadelphia. She has taught at various universities in the USA and Canada, most recently, from 1991 to 2010, as a professor of rhetoric and film studies at the University of California, Berkeley. Her publications include World Spectators (2000), Flesh of My Flesh (2009), The Miracle of Analogy, or The History of Photography, Part 1 (2015) und The Three-Personed Picture, or The History of Photography, Part 2 (in progress).
The publication is published on the occasion of the Harun Farocki Retrospective, September 14, 2017 – January 28, 2018, initiated by Neuer Berliner Kunstverein in cooperation with Arsenal – Institute for Film and Video Art, the Harun Farocki Institute, Harun Farocki GbR, Silent Green Kulturquartier, Verlag der Buchhandlung Walther König and Savvy Contemporary as part of the Berlin Art Week, sponsored by the Berlin Senate Department for Culture.
The publication can be purchased at local bookshops, via the website of Buchhandlung Walther König, and at Neuer Berliner Kunstverein. Members of Neuer Berliner Kunstverein can buy the book at n.b.k. for the special price of 15.00 Euro.
n.b.k. Discourse Vol. 11
Edited by Doreen Mende. With a preface by Hanns Zischler and an epilogue by Doreen Mende.
256 pages, with illustrations, soft cover, German, Verlag der Buchhandlung Walther König, Cologne 2017
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Retrospektive
Artistic directors: Marius Babias and Antje Ehmann
Curators: Antonia Alampi, Carles Guerra, Tom Holert, Doreen Mende, Bonaventure Soh Bejeng Ndikung, Volker Pantenburg and Stefanie Schulte Strathaus
Harun Farocki (1944-2014) is one of the most important and internationally influential German filmmakers. His oeuvre comprises more than 100 experimental and documentary films, essay, short and feature films. However, his complete oeuvre goes […]
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Harun Farocki. Zehn, zwanzig, dreißig, vierzig. Fragment einer Autobiografie. Schriften. Band 1
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
Harun Farocki (1944–2014) is one of the most important and internationally influential German filmmakers. His oeuvre comprises more than 100 films and productions: experimental and documentary films; essay, short and feature films. However, his complete works go far beyond […]
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Harun Farocki. Meine Nächte mit den Linken. Texte 1964–1975. Schriften. Band 3
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
Meine Nächte mit den Linken (My nights with the leftists) is the third volume of Harun Farocki’s writings and provides all of Harun Farocki’s published texts from 1964 to 1975 – many of them for the first time […]
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Harun Farocki. Ich habe genug! Texte 1976–1985. Schriften. Band 4
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
As an editor and contributor of Filmkritik, Harun Farocki wrote more than 90 articles for the journal between 1976 and 1985 and shaped its character as a platform for polemic and partisan film thinking. Volume 4 of […]
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Harun Farocki. Unregelmäßig, nicht regellos. Texte 1986–2000. Schriften. Band 5
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
In the years between 1986 and 2000, Harun Farocki increasingly organized his cinematic work along the three categories of the observational film, the essay film, and the compilation film. In the mid-1990s, he also created his first installation works […]
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Harun Farocki: Lerne das Einfachste! Texte 2001–2014. Schriften. Band 6
Part of the edition Harun Farocki. Schriften. (edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg)
In the years 2001 to 2014, Harun Farocki’s work is increasingly recognized in the realm of contemporary art. International solo presentations and his participation in major exhibitions such as documenta 12 (2007) are accompanied by reflections on […]
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Harun Farocki
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Harun Farocki
Harun Farocki (*1944 in Nový Jičín, Sudetenland, †2015 in Berlin) worked as a filmmaker, curator and producer and with his work influenced the genre of essay and experimental documentary film. Characteristic of his image- and media-reflexive work is the critical analysis of economic power structures. Farocki took into account the singularity of the shot and commented the employed material, such […]
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Harun Farocki
Harun Farocki (*1944 in Nový Jičín, Czechoslovakia, †2014 near Berlin) is considered one of the most important and internationally influential German filmmakers. He was an ethnographer of capitalist lifestyles, which he intellectually dissected and analyzed. Central to his approach and overall work is the investigation of the significance of images, their origins and especially the power structures inscribed in them. […]