Halil Altındere
Space Refugee

September 15 – November 6, 2016



Curator: Kathrin Becker

Halil Altındere developed the
Space Refugee project for Neuer Berliner Kunstverein, which in the light of European defense against immigrants and at some ironic distance proposes to use the cosmic space as a haven for refugees. One of the exhibition’s key features is a film about the former Syrian cosmonaut Muhammed Ahmed Faris, who in 1987 with the Soviet spacecraft Soyuz TM-3 went on a seven-day journey to the space station Mir. Today the former hero of the USSR and supporter of the democratic opposition movement against Assad lives as a refugee in Istanbul.

The exhibition
Space Refugee aesthetically borrows from the art of Socialist Realism and refers to the heroic depictions of Soviet cosmonauts. So there is a kind of hagiography about Muhammed Ahmed Faris in the form of painted portraits, a realistically crafted silicone bust and a documentary video. The vision of a life in space for the refugees is substantiated with specially designed spacesuits from a fictitious “Palmyra”-space mission, a planetary rover and a virtual reality video.

Halil Altındere belongs to a generation of artists, who substantially took part in Turkey’s cultural awakening in the 1990s—as an artist, curator and publisher. His artistic practice is directed at the socio-political remodeling of Turkey, the promotion of an emancipatory process and an opposition to repressive and nationalist developments within state and society. His works also receive great attention for their direct and open criticism of the military apparatus and the government policy as well as of the patriarchal and nationalist structures within Turkey. The expectable protest from the state authorities Altındere deliberately takes into account. Migration, identity and gender, but also questions about the influence of Western contemporary art trends within Turkey’s contemporary art scene characterize his work.

The video work
Wonderland (2013), for example, which was created just before the uprisings at Gezi Park, addresses the gentrification of Istanbul. The focus of the film is on the Roma hip-hop band Tahribad-ı İsyan, who gives a voice to the resistance against the displacement of entire parts of the population from the city. In 2016, Neuer Berliner Kunstverein, together with Nordstern Video Art Center and for the collection of n.b.k. Video-Forum, co-produced the video work Escape from Hell, which was made in Cappadocia and Istanbul and is an allegory of the increasing struggles between secular and religious forces in Turkish society. Wild chases, aspects of queer culture, captive balloon flights and a karate disciple in a mosque, who lifts off during his Koran studies in a Yoga position, these are the elements of Altındere’s absurdly ironic as well as sharp-tongued work. It links to the previous work Angels of Hell, in which Atatürk experiences his rebirth. With black humor Altındere captures the political routine in Turkey at the beginning of the 21st century and enunciates the role of the artist being the critic of social conditions.

Until October 8, 2016 and in parallel with the exhibition at n.b.k., the work
Köfte Airlines (2016), which was especially created by Halil Altındere for HAU Hebbel am Ufer’s festival The Aesthetics of Resistance – Peter Weiss 100, can be seen, located in front and inside of HAU2. For Köfte Airlines Altındere, in cooperation with refugees living in Turkey, staged a photograph showing a larger group of people sitting on the back of an airplane.

Supported by PİLOT Gallery, Istanbul.


Biography
Halil Altındere (b. 1971 in Mardin, Turkey) lives in Istanbul. Solo exhibitions (selection): MoMA / PS1, New York (2015); Kunstpalais Erlangen (2015); The Institute of Contemporary Art Sofia (2014); Centro de Arte Dos de Mayo, Madrid (2013); PİLOT Gallery, Istanbul (2014, 2011); TANAS, Berlin (2012). Group exhibitions (selection): Berlin Biennale (2016); MAXXI – Museo Nazionale delle Arti del XXI Secolo, Rome (2015); ZKM | Center for Art and Media, Karlsruhe (2015); Gemeentemuseum Helmond (2014); São Paulo Biennial (2014); MoMA / PS1, New York (2014); Istanbul Biennial (2013, 2005); Centros Culturais Banco do Brasil, Rio de Janeiro / São Paulo (2011); ARTER, Istanbul (2010); Sharjah Biennial (2009); Centre Georges Pompidou, Paris (2008); documenta 12, Kassel (2007); Istanbul Modern (2007).


Publication
With the exhibition and as part of the series “n.b.k. Exhibitions” there will be a publication by Verlag der Buchhandlung Walther König, Cologne, with a preface by Marius Babias and contributions by Halil Altındere, Kathrin Becker, Marenka Krasomil, Hans Ulrich Obrist, Ana Teixeira Pinto and Misal Adnan Misal Adnan Misal Adnan Yıldız


Program Art Education

Thursday, October 20, 2016, 7pm
Artist talk with Halil Altındere (artist, Istanbul) and Kathrin Becker (Head of n.b.k. Video-Forum)
In English with Turkish consecutive interpretation

Thursday, October 27, 2016, 7pm

Is Art Useful in the Context of Contemporary Politics?
Panel discussion with Julieta Aranda (artist, Berlin / New York),
Boris Buden (cultural theorist, author, Berlin),
Fulya Erdemci (curator, author, Istanbul),
Simon Sheikh (Programme Director Goldsmiths, University of London, Berlin / London),
moderated by Ingo Arend (author, critic, Berlin)
In English

Sunday, November 6, 2016, 8pm

DJ İpek İpekçioğlu
DJ-gig

Free admission to all events